They are our brothers like the flying fish" Santiago then remembers a female marlin he and Manolin caught. The male marlin had stayed beside the boat in despair, leaping in the air to see his mate in the boat before he disappeared into the deep ocean. It was the saddest thing Santiago had ever seen.
Something then takes one of the baits behind Santiago, but he cuts the line order to avoid distraction from the marlin, wishing Manolin was there to watch the other lines.
Expressing his resolve, Santiago says, "Fish I'll stay with you until I am dead" He expresses ambivalence over whether he wants the fish to jump, wanting to end the struggle as quickly as possible but worrying that the hook might slip out of the fish's mouth. Echoing his former resolve though with less certainty, Santiago says, "Fish I love you and respect you very much. But I will kill you dead before this day ends" That the fishermen call all the fish tuna and only differentiate between them when they sell them is at once a statement of the theme of unity and a repudiation of the market.
It is not ignorance that underlies this practice, but rather a simplifying appreciation of the unity of the sea. There are fish and there are fisherman; those who are caught and those who catch. This distillation of parts heightens the allegorical quality of the novel. The market forces the fisherman to forget this symbolic binary relationship and focus on differentiation, requiring a multiplication of the terms of difference.
As the novella stakes out a position of privileging unity, this market-driven divisionism come across negatively. This makes sense in light of Hemingway's previously mentioned anger at the unappreciative literary audience for his previous effort. Hemingway's description of the marlin's initial nibbling on the bait utilizes the same phrases again and again, e.
This heightens the allegorical quality of the narrative, which, at least explicitly, Hemingway denied. The response with which Santiago's thoughts of loneliness are met is another expression of the theme of unity in the novella.
Santiago thinks to himself, "No one should be alone in their old age As if in response to this, Hemingway introduces a pair of friendly dolphins in the very next paragraph. Santiago begins to feel sorry for the marlin he has hooked. This pity for the great fish is intensified when Santiago recalls seeing the misery of a male marlin after he had caught its mate. Suddenly, Santiago is speaking of his actions as "treachery," an odd word for a fisherman to use in describing his trade.
The more he identifies with the sea and its creatures, the more despicable his actions become. Soon, though, Santiago's treachery is transformed from his act of killing to his having gone out further than most fisherman go.
The image of a struggle between two figures alone in the great "beyond" certainly conjures an air of monumental conflict. This heroic angle is played up even more when Santiago ends these reflections by thinking, "Perhaps I should not have been a fisherman But that was the thing I was born for" Mike Gonzalez catcher for the Cardinals , and a native of Cuba. Mosquito Coast region on the Caribbean coast of Honduras and Nicaragua.
Portuguese man-of-war a large, warm-sea jellyfish that floats on the water and has long, dangling tentacles with powerful stinging cells. Rigel a supergiant, multiple star, usually the brightest star in the constellation Orion. Sargasso weed floating brown algae found in tropical seas and having a main stem with flattened outgrowths like leaves, and branches with berry-like air sacs.
In the end, all the townspeople admire Santiago for his manhood and worthiness demonstrating how he has become successful through the respect he has gained. Due to the excruciating pain caused by the hook, the fish would be forced up and at that point the fisherman would harpoon the marlin.
Santiago employed the same technique and successfully killed the marlin, but due to the sheer size and weight of the fish he decided to harness it to the side of the skiff. Santiago, an old fisherman, has gone eighty-four days without catching a fish. It means that Santiago will do anything to catch the marlin, and he means anything. Besides that, this quote shows that when a man desires something, that nothing can stop him from obtaining it, not even the worst circumstances.
In Old Man and the Sea, Santiago is considered unlucky because he has failed to catch either the big fish. Labeled as bad luck by other local fisherman, Santiago sets out alone in a small skiff and manages to land the biggest fish of his life, ending his day unlucky streak. Salao comes from the Spanish word salado, meaning salty.
Salao is used in the context of a fisherman being unlucky. Begin typing your search term above and press enter to search. Press ESC to cancel. Ben Davis April 30, What is the main message of the Old Man and the Sea? What are the major themes in the Old Man and the Sea?
What does the old man and the sea symbolize? What is the irony at the end of the Old Man and the Sea? Does Santiago die at the end of Old Man and the Sea? What happened in the Old Man and the Sea? Why is Santiago a hero?
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